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Carolina Pavia — Beyond the Surface | QCEG MAG
QCEG MAG EDITORIAL

BEYOND
THE SURFACE THE DREAMLIKE WORLD OF CAROLINA PAVIA

CAROLINA PAVIA · FIRST EUROPEAN EXHIBITION · PARIS

FLOWERS BECOME FACES
BODIES DISSOLVE INTO NATURE

SURREALISM · MEMORY · TRANSFORMATION



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QCEG MAG EDITORIAL BEYOND THE SURFACE: THE DREAMLIKE WORLD OF CAROLINA PAVIA LIVING ARTS · ART FEATURE

Upon entering the gallery, we were struck by a quiet paradox: the artist herself appeared reserved and delicate, yet there was an unmistakable intensity about her — a force that seemed to wait beneath the surface, revealed only through her art.

And what her art reveals is a world somewhere between dream and reality, where flowers become faces, bodies dissolve into nature, and colour seems to carry its own language. Nothing is quite what it first appears to be. The more we look, the more questions emerge. Who are these figures? What are they remembering? Are they dreaming, transforming, awakening — or disappearing into another world?

Her paintings seem to look beneath the surface of things, into memory, desire, vulnerability and the unconscious. It is almost as if she sees through the visible world and brings back what exists on the other side: something hidden, deeply personal and impossible to fully explain.

Her colours draw us further in. Her flowers become symbols of femininity, transformation and emotions that seem to exist just beyond language. Her landscapes feel strangely familiar, as though we have encountered them somewhere before, in a dream we cannot quite remember.

And then we realise that we are no longer simply looking at her paintings.

They are looking at us.

This is where Carolina's art becomes so powerful. She leaves enough mystery for our own imagination to enter. Her journey from the streets of Mexico, through graffiti and muralism, towards this deeply personal and dreamlike universe feels like a movement from the outside world into the inner self.

She takes memory and gives it colour.
She takes emotion and gives it form.
She takes what is hidden and brings it into view.

And rather than trying to impose our own interpretation on the worlds she has created, we wanted to hear from Carolina herself. What lies behind these extraordinary images? Where do these figures, colours and mysterious landscapes come from? And what is she really seeing when she looks beyond the surface?

We sat down with Carolina Pavia to discover the woman, the journey and the story behind the art.



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For Carolina Pavia, painting begins with something felt before it becomes something seen. Inspired by dreams, personal experiences and the great masters of surrealism, her work invites us into a symbolic universe where flowers, figures and landscapes seem to carry meanings beyond the visible.

Perhaps this is what makes her work so compelling. What begins as something deeply personal becomes an open space for the viewer's own imagination, memories and emotions. Her paintings invite us to look beyond the surface and, in doing so, perhaps to discover something within ourselves.



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ABOUT CAROLINA PAVIA



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With her first European exhibition now presented in Paris, QCEG MAG considers how Pavia's practice — dreams as diary, memory as colour, and the unconscious as landscape — positions her work at a rare intersection of the personal and the universal.

— Suna Moya

THEY ARE LOOKING AT US.
"What begins as something deeply personal becomes an open space for the viewer's own imagination, memories and emotions. Her paintings invite us to look beyond the surface and, in doing so, perhaps to discover something within ourselves."


IN CONVERSATION

Carolina Pavia

QCEG:

Carolina, before we talk about the paintings themselves, could you tell us a little about yourself and your journey as an artist?

CAROLINA PAVIA:

I am a Mexican artist, and my work comes from my inner world. It is inspired by dreams, fantasy and surrealism. Every painting reflects a part of my personal journey.

QCEG:

You have been painting for many years. When did you first realise that painting could become such an important part of your life?

CAROLINA PAVIA:

I started painting fifteen years ago. Since then, it has become my way of understanding both myself and the world around me.

QCEG:

Your journey began in Mexico, and you have also experienced graffiti and muralism. How did those experiences influence the artist you have become today?

CAROLINA PAVIA:

My experiences in Mexico were very important to my development as an artist. Working with graffiti and muralism allowed me to explore art in a very direct way and to connect with the world around me.

QCEG:

There seems to have been a movement in your work from the outside world towards something much more internal and personal. How did that transformation happen?

CAROLINA PAVIA:

Over time, my work became more connected to my inner world. Painting became a way for me to explore my emotions, my experiences and the things that were happening inside me.

QCEG:

When we look at your paintings, it feels as though we are entering a dream. Where do these strange and beautiful images come from?

CAROLINA PAVIA:

My life is my greatest inspiration. My paintings are like a visual diary. Every piece tells a story or captures an emotion I have experienced.

QCEG:

So the dreamlike quality of your paintings is connected to something very real and personal?

CAROLINA PAVIA:

Yes. My paintings come from my dreams, but they are also connected to my emotions and personal experiences.

QCEG:

There are so many symbols in your work. Flowers, figures, animals and landscapes seem to have their own language. Do you begin a painting knowing what these symbols will mean?

CAROLINA PAVIA:

The symbols come from what I am experiencing and feeling. They help me give form to emotions and experiences that can sometimes be difficult to explain with words.

QCEG:

One painting in particular feels deeply personal. Could you tell us about the story behind it?

CAROLINA PAVIA:

It was created during a difficult period in my life when my thoughts felt overwhelming. The flower falling from my head symbolises the weight of those emotions. The snail represents my ear, listening quietly to both my own pain and the world around me. The room itself is my mind, my inner universe.

QCEG:

In that painting, the room almost becomes a physical representation of your mind. Is painting a way for you to make the invisible visible?

CAROLINA PAVIA:

Yes. My paintings allow me to express things that are sometimes difficult to explain with words. I use images and symbols to give form to my inner world.

QCEG:

Flowers appear throughout your work, and they often feel connected to femininity, vulnerability and transformation. What do flowers mean to you?

CAROLINA PAVIA:

Flowers can represent different emotions and moments in life. They can suggest beauty, change, vulnerability and transformation. Their meaning can also change depending on the painting and what I was experiencing when I created it.

QCEG:

Your female figures often seem both fragile and strong. Is this relationship between vulnerability and strength something that interests you?

CAROLINA PAVIA:

Yes. I am interested in the different aspects of femininity and in the strength that can exist alongside vulnerability. My female figures are connected to emotions, experiences and different stages of life.

QCEG:

Your paintings are surreal, but they also feel very human. Which artists helped you discover this language?

CAROLINA PAVIA:

I admire the great surrealists, especially Leonora Carrington, Remedios Varo, Salvador Dalí and René Magritte. My greatest inspiration is Hieronymus Bosch. His imagination continues to amaze me.

QCEG:

What is it about Bosch and the surrealists that speaks so strongly to you?

CAROLINA PAVIA:

I am fascinated by their imagination. They created worlds where the impossible could exist alongside the familiar. That freedom is very important to me.

QCEG:

This exhibition is your first exhibition in Europe, and you are showing your work in Paris, a city so closely connected to surrealism. What does that moment mean to you?

CAROLINA PAVIA:

It means a great deal. Showing my work in Paris is very special because surrealism was born here. It feels like bringing my work back to one of its artistic roots.

QCEG:

When you stand in Paris and see your work here, do you think differently about your own artistic journey?

CAROLINA PAVIA:

It makes me think about the history of surrealism and the artists who created here. It is very meaningful for me to have my work shown in a place so connected to that history.

QCEG:

Looking towards the future, where do you imagine your art taking you?

CAROLINA PAVIA:

I hope to exhibit around the world, especially in China. I have never been there, although I greatly admire its culture, calligraphy, ancient ceramics and mythology. I find Chinese art colourful, mysterious and full of imagination. I hope one day my work can be seen there.

QCEG:

What is it about Chinese culture and art that attracts you so much?

CAROLINA PAVIA:

I find Chinese art colourful, mysterious and full of imagination. I greatly admire its calligraphy, ancient ceramics and mythology. These are things that really inspire me.

QCEG:

After everything we have talked about, what would you most like a viewer to discover when they stand in front of one of your paintings?

CAROLINA PAVIA:

I hope they discover something about themselves. My paintings come from my dreams, although emotions belong to everyone. If someone recognises a feeling within my work, then the painting has fulfilled its purpose.

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