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MeeKar Lim
International Fashion Editor
Suna Moya
Editor-At-Large
Zhang XiaoXiao

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WHERE FASHION LIVES AGAIN
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In a world where the secondary market is thriving, Pénélope Blanckaert stands at the forefront, redefining how fashion is perceived, collected, and valued. For nearly two decades, she has curated fashion from the twentieth and twenty-first centuries with precision, discernment, and an unparalleled stylistic eye. With the launch of PENELOPE’S, she transforms the auction house into a platform where fashion is not a commodity. It is culture, memory, and art in motion.
The demand for exceptional pieces has never been greater. Collectors, designers, and enthusiasts worldwide seek garments imbued with history, rarity, and narrative. Each lot represents an opportunity to own a fragment of heritage, to extend its life, and to take part in a dialogue that connects eras, ideas, and tastes. For buyers, it is far more than an acquisition. It is the chance to build a collection that inspires, endures, and continues to influence the market.
Renowned for leading some of the most significant campaigns for major French fashion houses, Pénélope has built a visual language that is instantly recognisable within the industry. Her talent lies in creating images that capture the spirit of the moment while remaining firmly rooted in history. Dynamic and precise, she reads art, trends, and emerging movements with remarkable clarity. This vision and expertise have established her as one of the most respected authorities in fashion and style.
Her early experiences alongside Yves Saint Laurent, Christian Lacroix, Jean Paul Gaultier, Azzedine Alaïa, and John Galliano refined her appreciation for craftsmanship and emotion. Later, through PB Fashion and collaborations with Christie’s and Artcurial, she developed a sharp understanding of value, rarity, and what collectors seek most: pieces that endure, inspire, and tell a story.
One conviction has always guided her: exceptional garments must continue to live. Each PENELOPE’S sale is conceived as an editorial experience. Eras, silhouettes, and ideas converse, bringing heritage, vintage, and contemporary creation into a precise and unexpected harmony. Beneath this curatorial freedom lies a strong ethic of circularity, where preservation becomes progress, and transmission, a creative act.
She stands before her wardrobe. Inside are garments tied to decisive moments: a velvet jacket worn on a defining evening, a silk dress that travelled further than she did, heels that turned the pavement into a stage. They remain precious, yet their time here has come to an end.
So she calls PENELOPE’S.
In Paris, each piece is received with care and expertise. It is examined, authenticated, studied, and prepared for a new chapter. This is not simply resale. It is succession. Beauty is allowed to move forward.
PENELOPE’S translates vision into practice. Haute couture, ready-to-wear, vintage treasures, iconic handbags, shoes, jewellery, watches, and rare archives are presented through meticulously orchestrated auctions where knowledge meets desire. Icons converse with rediscoveries, and heritage aligns with contemporary taste.
For consignors, letting go can be emotionally charged. Clothing accompanies celebrations, departures, and transformations. Specialists treat each piece with rigour and sensitivity, documenting its provenance so that confidence replaces doubt.
It will be admired again, and its story will continue.
Across the world, acquiring fashion steeped in history has become a mark of sophistication. Collectors pursue rarity, designers seek references, and a new generation looks for meaning. Garments already loved carry authority. Survival proves value. For buyers, each acquisition is both a cultural investment and an invitation to participate in a living collection—one that evolves continuously and continues to shape the market.
Through its digital platform, the Parisian house connects wardrobes across continents. Europe, the Americas, the Middle East, and Asia share the same language of admiration. Distance dissolves; taste unites.
A dress from the 1920s. Alaïa in sculptural power. Hermès enriched by decades of patina. Dior or Saint Laurent rendered in timeless precision. Each lot is both an object of desire and a fragment of cultural memory.
To acquire is not simply to buy. It is to inherit.
When the bidding opens, focus sharpens. Catalogues are read like art books; measurements are memorised. A novice bidder tries to remain pragmatic—until a silhouette exerts its pull. Instinct moves faster than reason.
The hammer falls. Ownership changes. A new story begins.
This invisible bridge between past and present is what moves Pénélope most. Someone once felt extraordinary in this garment. Soon, someone else will.
Season after season, the standard remains uncompromising. Each piece is revealed anew—desired, worn, loved. Circulation becomes an act of responsibility; preservation, a rare privilege.
Participation is simple. Register online, follow the auctions, and wait for the object that recognises you. It always arrives.
From Paris, Pénélope watches each departure with emotion. Beyond figures and records, she witnesses rebirth. Admiration restores relevance. Beauty continues its journey.
Her ambition is both modest and immense. She extends the life of fashion and offers every remarkable creation—born yesterday or a century ago—the chance to exist fully in the world.
As parcels leave the city, they carry with them vanished evenings, audacious cuts, and the optimism of creators convinced they were shaping tomorrow.
At PENELOPE’S, fashion lives again — renewed, celebrated, irresistible.
Visit
— SUNA MOYA
PENELOPE'S
“Pénélope Blanckaert Presents Curated Online fashion Auctions Featuring Haute Couture, Vintage Icons, Rare Handbags and Archival Designer Pieces.”


February 2026 – 2 March 2026